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The Biologic Show
''The Biologic Show'' is a comic book series written and drawn by Al Columbia. The first issue, #0, was released in October 1994 by Fantagraphics Books, and a second issue, #1, was released the following January. A third issue (#2) was announced in the pages of other Fantagraphics publications and solicited in ''Previews'' but was never published. "I Was Killing When Killing Wasn't Cool", a color short story with a markedly different art style originally intended for issue #2, appeared instead in the anthology ''Zero Zero''. In a 2010 interview, Columbia recalled that the unfinished issue "looked so different that it just didn’t look right, it didn’t look consistent, and it didn’t feel right to keep putting out that same comic book, to try to tell a story where the style is mutating." The series' title is taken from a passage in the William S. Burroughs book ''Exterminator!'' (in the chapter "Short Trip Home"). The passage in question is quoted briefly in a story from issue #0, also titled "The Biologic Show".
Each issue of ''The Biologic Show'' contains several short stories and illustrated poems. Many of the pieces deal with disturbing subject matter such as mutilation, incest, and the occult. Issue #0 introduces three of Columbia's recurring characters: the hapless, Koko the Clown-like Seymour Sunshine in the opening story "No Tomorrow If I Must Return", and the sibling duo Pim and Francie in "Tar Frogs". (Both "Tar Frogs" and the aforementioned "The Biologic Show" had originally appeared in the British comics magazine ''Deadline'' but were partially redrawn for Columbia's solo book.) Issue #1 is dominated by the 16-page Pim and Francie story "''Peloria'': Part One", intended as the start of an ongoing serial. It includes another character, Knishkebibble the Monkey-Boy, who reappears in Columbia's later work. Upon the demise of ''The Biologic Show'' Fantagraphics announced that ''Peloria'' would be released as a stand-alone graphic novel,〔"Zero Welcomes...". ''Zero Zero'' #4 August 1995, 40.〕 but this plan was also abandoned.
==Reception==
Reaction to the ''The Biologic Show'' upon its release was mixed. One of the few contemporaneous reviews of issue #0 in the comics press dismissed it as "an array of senselessness. Themes are inane or non-existent and none seem to progress any sense of story."〔Aliberti, Vincent. Review of ''The Biologic Show'' No. 0. ''Crash: The Quarterly Comic Book Review'' Volume 1 #2, Winter 1995, 62.〕 However, the series was highly praised by other alternative comics creators including Mike Allred〔Back cover, ''The Biologic Show'' #0, October 1994, Fantagraphics Books.〕 and Jim Woodring, who wrote that "()t's full of stuff you don't want to think about too much, but it's so much fun to look at that you can't help but linger. () does tricks with time and revelations that are shockingly deft."〔Woodring, Jim. "Muss I Den?", ''Jim'' Vol. 2 #5, May 1995, Fantagraphics Books.〕 A 1998 profile of Columbia in ''The Comics Journal'' called issue #0 "a big, visceral, and messy masterwork which shouted his arrival to the ranks of cartoonists-to-watch" and described issue #1 as "even better: focused and more cohesive, with a longer, more meaningful story begun for Columbia's best characters."〔Pryor, Marshall. "Young Cartoonist Profiles: Al Columbia", ''The Comics Journal'' #205, June 1998, 80.〕 Writing in 2002, Kieron Gillen characterized the series as "comics transgression in its purest form."〔Gillen, Kieron. ("Everybody Be Cool: Crossing the Line". ) ''Ninth Art''. Accessed June 6, 2012.〕
In the years since its publication ''The Biologic Show'' has been noted for its influence on other cartoonists and artists. According to singer Tunde Adebimpe of TV on the Radio, songs on two of the band's albums were partly inspired by the comic. Singer and comic book writer Gerard Way spoke about the series in a 2009 segment for the G4 web show ''Fresh Ink Online'', calling issue #0 "the most important comic to me in my collection" and singling out the story "Li'l Saint Anthony" for praise. He also told an interviewer that his own work changed dramatically after he was exposed to the series. In 2011 Frances Bean Cobain was photographed with a tattoo of an image of Columbia's character Seymour Sunshine taken from issue #1.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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